Please Find Below Our Catalogue And Note That You Can Also Browse ...
Please find below our catalogue and note that you
can also browse it online at:
http://www.potentialfilms.com
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PO BOX 569-North Melbourne-Victoria 3051
Rear 559 Queensberry St-North Melbourne-Victoria 3051
Phone: 03 9328 5000 Fax 03 9328 5040
http://www.potentialfilms.com
YOU, THE LIVING By Roy Andersson
With: Jessica Lundberg, Elisabeth Helander, Björn Englund
Premiered at the 2007 Cannes Film Festival, as part of
the Un Certain Regard selection, YOU THE LIVING is a
fluent succession of short sketches, each filmed in one
take. Most of them have a tragicomic undertone.
"YOU, THE LIVING is about the human being, about
her greatness and her miserableness, her joy and
sorrow, her self-confidence and anxiety. A being at
whom we want to laugh and cry for. It is simply a
tragic comedy or a comic tragedy
about us" Roy Andersson
TRANSYLVANIA By Tony Gatlif (M)
With: Asia Argento, Amira Casar, Birol Ăśnel
The latest film from Tony Gatlif (EXILES, VENGO,
SWING, LATCHO DROM, GADJO DILO) sees a young
woman, Zingarina, travelling to Transylvania, in the
heart of Romania, in search of her lover, the father of
her unborn child. Searching amongst the Romany
Gypsy community where music is a central part of life.
TRANSYLVANIA, starring Asia Argento, Amira Casar
and Birol Unel, closed last year's CANNES FILM
FESTIVAL.
A OLD MISTRESS By Catherine Breillat (R18+)
With: Asia Argento, Fu’ad Ait Aattou, Roxane Mesquida
A biting, dramatic period feature based on the 19th
century novel by Barbey d'Aurevilly sees the young
and dashing Ryno de Marigny (in an outstanding
performance by newcomer Fu’ad Aït Aattou) about to
marry the virtuous Hermangarde. But can he give up
his mistress of many years, the tempestuous Vellini
(Asia Argento) Beautifully photographed and full of rich
secondary characters, this intimate chamber piece is
full of betrayals, confidences and secrets.
INSIDE PARIS By Christophe Honoré (M)
With: Romain Duris, Louis Garrel
After breaking up with his long-time girlfriend, Paul
returns to his father's home in Paris. Depressed and
lethargic, he remains housebound whilst his younger
brother walks the streets of Paris, Antoine Doinel style,
chatting up girls.
"a genuinely unpretentious and delightful film,
alternately sober and effervescent, steering clear of
either heavy-going philosophising or dreaded whimsy"
– Variety. Starring Romain Duris (The Beat My Heart
Skipped, Exiles) and Louis Garrel (The Dreamers,
Regular Lovers), DANS PARIS premiered in Directors’
Fortnight at CANNES FILM FESTIVAL
THE PAGE TURNER By Denis Dercourt (PG)
With: Catherine Frot, Déborah François, Pascal Greggory
A tight emotional thriller about a young woman
(Melanie) taking carefully planned revenge on a
woman she believes ruined her potential musical
career years before. Understated and beautifully acted
and scored. Starring Catherine Frot (Chaos, Me and My
Sister) and Deborah Francois (The Child), THE PAGE
TURNER screened in "Un Certain Regard" section at
CANNES FILM FESTIVAL.
HEADING SOUTH (Vers le sud) By Laurent
Cantet (M)
With: Charlotte Rampling, Karen Young, Louise Portal
On the sun-drenched island of Haiti at the end of the
1970s, tourists idle away their vacations in the palm-
fringed paradise of the beach hotels. Brenda, Ellen and
Sue, three North American women, converge on the
island looking for flirtation, relaxation and respite from
their mundane jobs and marriages. They find exactly
what they are looking for in Legba, an enigmatic local
Adonis-like boy, whose beauty and passion captivates
them all and who leads them away from the gilded
cage of tourism and opens their eyes to the poverty
and dangers of living in Haiti in the midst of the
Duvalier dictatorial regime.
Back Catalogue
A Ma Soeur! (For My Sister!
Calle 54 (G)
a.k.a. Fat Girl) (R)
Dir. Fernando Trueba
Dir. Catherine Breillat
Spain/France/Italy, 2000. 105mins
France, 2001. 87 mins
A "musical" documentary celebrating
Elena is fifteen and diabolically
the music of some of the world's
beautiful. She is neither more futile
greatest Latin Jazz musicians.
nor more stupid then her younger
Narrated by the film's director
sister, but she doesn't realise that
Fernando Trueba (Belle Epoque),
she is no more than an object of
musicians including Jerry Gonzalez,
desire. And, as an object, all she can
Gato Barbieri and the late Tito Puente,
do is to be taken. Or be had. Indeed,
are introduced before their respective
this is the subject, the loss of girls'
performances, filmed and recorded
virginity, which opens the door to
under the finest conditions at the Sony
tragedy during one summer holiday
Music Studios in New York.
period.
Anatomie de L'Enfer
Chaos (MA)
(Anatomy of Hell) (R)
Dir. Coline Serreau
Dir. Catherine Breillat
France,2002.112mins
France, 2004. 77mins
Helene and Paul are a bourgeois
After meeting a man in a gay
French couple who are constantly
nightclub, a young woman suggests
racing through the day to keep up with
that she pay the man to meet her
all of their obligations, barely taking
over four nights to look at her "where
the time to look at each other. As they
she is unwatchable". What follows is
are rushing off to an engagement, Paul
a series of sequences in which writer
and Helene witness Malika, a young
and director, Breillat sets out ot
prostitute, being violently attacked by
prove that all men are, at their core,
a group of men just outside of their
misogynists.
car.
The Ax (Le Couperet) (M)
A Cold Summer (R)
Dir. Costa-Gavras
Dir. Paul Middleditch
France/Belgium, 2005.122mins
Australia, 2003. 87mins
A jet-black social comedy that puts
Screened at Rotterdam, Montreal,
the merciless world of downsizing,
Sydney and Melbourne film festivals.
outsourcing and other capitalist
This contemporary drama following the
trends on the chopping block. A
lives of three twenty somethings who
husband and father takes an
deal with individual loss in different
entrepreneurial response after his 2
ways is a compelling, powerful and
1/2 years of unemployment following
honest portrait of the truth behind
retrenchment from his job as a
three individual lives that is both comic
highly specialised chemist, inventing
and tragic.
decisive ways to cut out the
competition for jobs on offer.
Baise Moi (RC) Refused
The Colour Of Paradise (PG)
classification. This film is currently
Dir. Majid Majidi
unavailable.
Iran, 1999. 90 mins
Dir. Virginie Despentes
A fable of a child's innocence and a
BAISE-MOI (F**k Me) tells the story
complex look at faith and humanity.
of two young women, angry at the
Visually magnificent and wrenchingly
world, who embark on a twisted,
moving, the film tells the story of a
rage-filled road trip. On their sexually
blind boy whose inability to see the
charged rampage of violence they
world only enhances his ability to feel
attempt to deal with the violence and
its powerful forces.
humiliation to which they have been
habitually subjected.
Boys’ Life (R)
A Common Thread
Dirs. Robert Lee King, Brian Sloan
(Brodeuses) (M)
and Raoul O'Connell
Dir. Eléonore Faucher
USA, 1996. 87 mins, 16mm only.
France, 2004. 89mins
Three charming tales of love, lust,
When Claire learns that she is five
liberation is a compilation of short
months pregnant at the tender age of
gay films on the theme of 'coming
17, she decides to give birth
out'. Directed by three different
anonymously. She finds refuge with
director: Brian Sloan (Pool Days),
Madame Melikian, an embroiderer for
Raoul O'Connell (A Friend of
haute couture designers
Dorothy) and Robert Lee King (The
Disco Years).
Darwin's Nightmare (M)
Happy Together (M)
Dir. Hubert Sauper
Dir. Wong Kar-Wai
France/Austria/Belgium, 2004.
Hong Kong, 1997. 96 mins
111mins
A chamber drama about two male
Some time in the 1960's, in the heart
lovers from Hong Kong, Yiu-Fai and
of Africa, a new animal was
Po-Wing, who start off seeking a new
introduced into Lake Victoria as a
life but end up separating on their way
little scientific experiment. The Nile
to a waterfall in Argentina. Yiu-Fai
Perch, a voracious predator,
starts working in a bar to save up
extinguished almost the entire stock
money to return home. Po-Wing
of the native fish species. However,
reppears one day battered and
the new fish multiplied so fast, that
bruised. He supports his ex-partner
its white fillets are today exported all
but the two realise that being
around the world. A rare thing in
romantically involved together again is
documentary filmmaking; this film is
not going work. Instead, Yiu-Fai meets
formally captivating with fascinating
young Chang from Taiwan, bringing a
subject matter. Winner BEST
new hope to his life, while Po-Wing
DOCUMENTARY for 2004, European
continues to suffer on a downwards
Film Awards. Best Documentary
spiral. From the director of In the
Oscar Nominee.
Mood for Love and 2046.
Exiles (Exils) (M)
Irma Vep (M)
Dir. Tony Gatlif
Dir. Olivier Assayas
France, 2004. 103mins
France, 1997. 96 mins
Winner Best Director Cannes 2004.
A story about the disasters that ensue
From the director of Latcho Drom,
as a middle-aged French film director
Gadjo Dilo, Vengo and Swing.
(played by Jean-Pierre LĂ©aud)
Beginning in Paris and travelling
attempts to remake Louis Feuillade's
overland through Spain, a young
classic silent serial Les vampires.
couple make their way to Algeria, the
Taking place as it does largely through
land their parents were forced to
the eyes of a foreigner (Cheung), it
leave years before. Great music, as
also a meditation upon the then-
in all Gatlif films. Stars Romain Duris
current state of the French film
(Gadjo Dilo, The Beat My Heart
industry.
Skipped) and Lubna Azabal (Paradise
Now).
The Gleaners and I (Les
Kamikazi Taxi (MA)
Glaneurs et La Glaneuse)
Dir. Masato Harada
(G) Dir. Agnès Varda
Japan, 1997. 143 mins
France, 2000. 82mins
A high powered, highly rated yakuza
The secluded life of the deep French
road trip through corruption in modern
countryside is portrayed in this semi-
Japan.
autobiographic study of the obscure
lifestyle. Focusing primarily on
gleaners, those who scavenge an
already harvested field, the moral,
political and aesthetic aspects of
these people are gradually revealed.
The Gleaners and I: Two
Kandahar
Years Later (Les Glaneurs
(Safar e Gandehar) (PG)
et La Glaneuse…Deux Ans
Dir. Mohsen Makmalbaf
Après) (G)
Iran, 2000. 85mins
Dir. Agn
Nafas, an Afghan-born journalist living
ès Varda
France. 2002. 63mins, available on
in Canada receives a letter from her
DVD only
sister who was maimed by a landmine
Varda revisits some of those profiled
and left behind during the escape,
in The Gleaners and I and visits
about her intentions to end her life.
others who were so delighted by that
Desperately racing against time, Nafas
film that they wrote to her to tell her
sets out on a perilous journey into a
so. An amusing and once again
land where it's illegal for women to
fascinating follow-up.]
travel alone.
Afghan Alphabet
Red Lights (Feux Rouges)
(Alef-bay-e Afghan)
(M)
Dir. Mohsen Makmalbaf
Dir. Cedric Kahn
Iran, 2002. 45mins, available on DVD
France, 2003. 106mins
only
Based upon Georges Simenon's book,
A short follow-up to Kandahar
Red Lights is a carefully crafted thriller
focusing on a group of young girls
masterfully incorporating elements of
studying in a UNICEF class in a
suspense and noir. Starring Jean-
village on the border between Iran
Pierre Darroussin (well known as a
and Afghanistan.
regular in Robert Guediguian's films)
and Carole Bouquet (That Obscure
Object of Desire).
The Last Trapper (G)
Ring (MA)
Dir. Nicolas Vanier
Dir. Hideo Nakata
Canada/France, 2004. 100mins
Japan, 1998. 95mins
A mix of documentary and fiction this
The "Scream" trilogy is like a
poetic ode to ecology and the
"Simpsons Halloween Special"
protection of the environment follows
compared to the genuinely terrifying
the life of Norman Winther and his
horror of Japan's "Ring" series. It all
wife who live in complete isolation in
starts here - a bizarre television
the Yukon hunting grizzlies and
transmission - a videotape - rumours
wolves. The changing seasons,
that those who watch it will die... An
relationship with their much relied
urban legend? A nerve -shattering
upon huskies and the sometimes
exploration of the fear of fear. The
perilous conditions form a dramatic
Japanese original.
and engaging narrative.
Latcho Drom (G)
Ring 2 (M)
Dir.Tony Gatlif
Dir. Hideo Nakata
French, 1993. 103 mins
Japan, 1999. 99mins
The film takes the viewer on a
Against all odds the sequel lives up to
journey west, from India to Spain,
the original. This time the focus is on
with stops along the way, to
how death-inducing video images
dramatize Romany's nomadic culture .
breed and spread - and some reckless
Gatlif holds his camera on the
experiments to try and stop it.
elemental essentials of this life:
water, the wheel, fire, beasts of
burden and of sustenance, colorful
clothes, jewelry, musical
instruments, song, and dance.
Throughout, via song and dance,
young and old celebrate, embody,
and teach the cultural values of
family, journey, love, separateness,
and persecution.
Lilya 4-Ever (MA)
Romance (R)
Dir. Lukas Moodysson
Dir. Catherine Breillat
Sweden, 2002. 109mins
France, 1999. 99 mins
The third feature from Lukas
With precision and stunning intimacy,
Moodysson (Show Me Love), tells the
Catherine Breillat paints a provocative
story of 16 year old Russian
portrait of a young French woman,
teenager, Lilya, who, after a series of
Marie, and her journey to gain control
betrayals from those closest to her,
of her life. Claiming he loves her, but
begins to feel hope again when she
that he has lost his desire for her,
meets Pavel, a young man who takes
Marie's boyfriend, Paul, refuses to
her on dates and p romises her a
engage in sexual relations. Humiliated
better life in Sweden.
by Paul's cruel power play, Marie
embarks on an escalating sexual
journey that tests her own physical
and emotional limits.
Russian Ark
Show Me Love
(Russkij Kovcheg) (G)
(Fucking Amal) (MA)
Dir. Alexander Sokurov
Dir. Lukas Moodysson
Russia, 2002. 96mins
Sweden, 1999. 89mins
Sokurov's extraordinary masterpiece
Amal is a sleepy little town in Sweden
is a unique journey through time and
that the teenagers long to escape
Russian history. Filmed entirely in
from. An innocent prank and a
the State Hermitage Museum in St
passionate kiss lead to a mixed up
Petersburg, this groundbreaking film
romance and an unconventional
recreates 300 years of history in a
portrayal of a family's coming to grips
single, unedited, feature length take.
with their daughter's sexuality. A
Sokurov's camera glides through 33
liberating and immensely warm film.
rooms of the Hermitage, covering
From the director of Lilya 4-Ever.
three centuries of Russian history
and European art.
Sabah (PG)
The Stroll (Progulka) (M)
Dir. Ruba Nadda
Dir. Alexey Uchitel
Canada, 2005. 87mins
Russia, 2004. 90mins
Sabah is a smart, attractive Canadian
Strolling through the streets of St.
Muslim whose passion and
Petersburg, a young woman strikes up
independence have been dulled by
an acquaintance with a young man
20 years of duty to her loving yet
and his best friend, feeding them
demanding family. As a treat to
increasingly fanciful stories as she
herself on her 40th birthday, Sabah
plays one against the other. They
buys a clandestine swimsuit and then
brave the traffic, mix with tourists,
goes swimming.She meets Stephen,
climb the cathedral tower, cross the
who is tall, handsome, sympathetic
river, mingle with football crowds and
and definitely not Muslim. Their
get caught in the rain. But the mystery
mutual attraction grows and Sabah
of the stroll has yet to be explained.
finds herself sneaking around like a
teenager. Eventually she will have to
confront her family - can she rely on
their love?
Satin Rouge (M)
Swing (PG)
Dir. Raja Amari
Dir. Tony Gatlif
Tunisia/France, 2002. 99mins
France, 2002. 90mins
Exotic and music-filled story of a
Tells the story of 10-year-old Max,
young widow who ventures into the
who's love of Manouche jazz takes him
world of the cabaret and belly
to the Manouche (one of the many
dancing, where she soon finds new
different gypsy populations)
friends and liberation from her roles
neighbourhood where he quickly
of mother and grieving widow when
makes friends with Swing, a young
she becomes a performer. Set in
gypsy girl who is the same age as he,
Tunis.
and whose charisma, self-confidence
and freedom fascinate him. From the
maker of Latcho Drom and Vengo.
Sex - The Annabel Chong
A Tale of a Naughty Girl
Story (R)
(Manda Meyer Upakhyan) (M)
Dir. Gough Lewis
Dir. Buddhadeb Dasgupta
USA, 1999. 86mins
India, 2002. 90mins
Documentary about Gender Studies
Although set at the time when man is
student Grace Quek who, as porn
about to set foot on the moon for the
actress Annabel Chong, stages 'the
first time, this timeless tale of a young
world's greatest gang-bang' involving
girl from a small Bengali village and
having sex with 251 men in ten
her quest for an education speaks to a
hours.
universal contemporary audience.
Ten (aka 10) (PG)
Yes (M)
Dir. Abbas Kiarostami
Dir. Sally Potter
Iran/France, 2002. 93mins
UK/US, 2004. 100mins
Filmed entirely inside a car, a woman
'Yes' is the story of a passionate love
drives through the streets of Tehran,
affair between an American woman
picking up and dropping off
and a Middle-Eastern man in which
passengers --her son, a friend, her
they confront some of the greatest
sister, a prostitute --as she runs
conflicts of our generation religious,
errands and goes about her busy
political and sexual.
days. The title TEN represents the
number of distinct conversations that
the woman has with each of her
passengers, reflecting on life and the
status of women in modern-day Iran.
Vengo (M)
Dir.Tony Gatlif
France/Spain 2000. 97mins
Set in the dramatic, arid landscape of
Andalusia, Gatlif (Latcho Drom,
Gadjo Dilo) builds a vivid impression
of a region and its culture, in which
music, machismo and passion
intertwine. The plot centres around a
grieving father struggling to protect
his family from a rival family, and is
underscored by vibrant music with a
mix of Andalusian and North African
influences.
CLASSIC RE-ISSUES
Battle of Algiers
Le Cercle Rouge
(La Battaglia di Algeri) (M)
(The Red Circle) (M)
Dir. Gillo Pontecorvo
Dir. Jean-Pierre Melville
Algeria/Italy, 1965. 123mins, new
France, 1970. 140mins
35mm Prints with New Subtitles.
Impassive faces, snap-brim hats,
Gillo Pontecorvo's intense, political
dangling cigarettes, sunglasses after
study of terrorism was banned in
dark, raincoats without rain, nightclub
France for fear of inciting civil unrest.
floor shows…We're unmistakably in the
A film subsidised by the Algerian
milieu of Jean-Pierre Melville, doyen of
government, it follows the country's
the New Wave and prince of the fate -
fight for independence from its
haunted French gangster picture (Bob
colonising nation, France,
Le Flambeur, Le Samourai, etc.). Here,
reconstructing the main political
for his penultimate work in the genre,
events that took place in Algiers
three archetypal tough guys join
between 1954 and 1957. Known to
forces for a meticulously orchestrated
be one of the bloodiest revolutions in
heist of a Place VendĂ´me bijouterie. A
recent history, Algeria was finally
silent tour-de-force in the grand movie
granted independence in 1962.
tradition of Rififi, Topkapi, and The
Asphalt Jungle.
Koyaanisqatsi (G)
Metropolis (G)
Dir. Godfrey Reggio
Dir. Fritz Lang
USA, 1983. 87 mins
Germany, 1927. 119 mins
Koyaanisqatsi is a Hopi Indian word
A highly stylized vision of a not-so-
which means 'life out of balance'.
unlikely future. The elite frolic above
Made up of a succession of stills, the
the clouds, thousands of miserable
film is an apocalyptic vision of the
workers toil night and day inside the
shock between two different worlds -
belly of the gigantic machine that runs
technology versus the environment,
the entire city. Metropolis is controlled
set to a musical score by Phillip
by a sinister authoritarian whose son,
Glass. The movie is devoid of a plot
Freder, rejects his father's callous
in the classical sense, leaving the
philosophy and attitude towards
beholder to infuse it with what
laborers. Metropolis becomes
meaning they will.
enveloped in chaos and the classes are
brought together in a breathtaking
climax.
The Leopard
The Passenger (M)
(Il Gattopardo) (PG)
Dir. Michelangelo Antonioni
Dir. Luchino Visconti
France/Italy/USA/Spain, 1975.
Italy/France, 1963. 180mins
126mins A suspense story about David
Italian director Luchino Visconti
Locke, a drained reporter (Jack
delivers one of his most ambitious
Nicholson), trying to escape his own
works with this sprawling historical
life. His deliverance is an identity
drama. Based on the acclaimed novel
exchange with a dead man. But what
by Giuseppe Tomasi di Lampedusa,
Locke ignores is that the man is a
The Leopard is set in Sicily during the
renowned arms smuggler. His decision
1800s, as the aristocracy found itself
becomes a risky one, which leads to
being suffocated by a newly
an inevitable showdown.
democratic fervor. Prince Don
Fabrizio Salina (Burt Lancaster) tries
The Third Man (PG)
to hold on to the past, but it appears
Dir. Carol Reed
that his glory days are waning. This
1950, Britain/USA. 104mins
is perfectly exemplified by his
50th Anniversary new print re -issue of
nephew Tancredi Falconeri (Alain
the classic post-war thriller set in
Delon) and his gorgeous wife -to-be
Vienna. Stars Orson Welles, Joseph
Angelica (Claudia Cardinale). As the
Cotten, Trevor Howard, Alida Valli and
revolt gathers steam and begins to
Zither music from Anton Karas.
affect a real change, the aging prince
must come to terms with the new
world that surrounds him.
The films of Jaques Tati
Four features from the great comic icon of French cinema
Jour de Fete (G)
M. Hulot's Holiday (G)
1949, Fully restored original colour
1953, Black and White. 86mins
version. 76mins
Tati's best-known work is a
When the carnival arrives in a small
masterpiece of gentle slapstick as the
village in France, Francois, the
titular character takes a holiday at a
postman, rises to the challenge of
seaside resort where his presence
doing his round the American way.
provokes one catastrophe after
another.
Mon Oncle (G)
Playtime (G)
1958. 110mins
1967. 120mins
Slapstick prevails in this delightful
Jacques Tati, the choreographer of the
satire of mechanized living which
charming, comical ballet that is
sees Hulot let loose in the
Playtime, casts the endearingly clumsy
ultramodern home of his sister and
Monsieur Hulot as the principal
brother-in-law and a factory
character wandering through modern
manufactuing plastic hose. Awarded
Paris. Within the film's three large
Best Foreign Film Oscar in 1958.
movements, Hulot goes from fear of
his ultra -modern, glass-towered
environment, to a poetic
transcendence of it.
Prints available
Beau Travail (M) (Dir.Claire Denis, France 1999. 90mins)
Blast 'Em (M) (Dir. Joseph Blasioli & Egidio Coccimiglio, USA, 1992, 103mins) 16mm
Blush (PG) (Dir. Shaohong Li, China/Hong Kong, 1994, 115mins)
Contempt (Le Mepris) (PG) (Dir. Jean-Luc Godard, France/Italy, 1963. 100 mins)
Dark Habits (R) (Dir. Pedro Almodovar, Spain, 1983, 114 mins) 16mm
Double Happiness (M) (Dir. Mina Shum, Canada, 1994. 87mins)
Edge of 17 (MA) (Dir. David Moreton, USA, 1998. 103 mins)
Les Enfants Du Paradis (PG) (Dir. Marcel Carne, France, 1945. 190mins)
For a Lost Soldier (R) (Dir. Roeland Kerbosch, Netherlands, 1992. 92mins)
Grief (M) (Dir. Richard Glatzer, USA, 1993. 90mins)
The Honeymoon Killers (M) (Dir. Leonard Kastle & Donald Volkman, USA, 1969. 115mins)
Hustler White (R) (Dirs. Bruce LaBruce, Rick Castro, USA, 1996. 78 mins)
Labyrinth of Passion (R) (Dir. Pedro Almodovar, Spain, 1982, 100mins)
Latin Boys Go To Hell (R) (Dir. Ela Troyano, USA, 1997. 70mins) 16mm Only.
L'Ennui (R) (Dir. Cedric Kahn, France, 1999. 122mins)
Like It Is (MA) (Dir. Paul Oremland, England, 1998. 93 mins)
Martha (M) (Dir. R.W.Fassbinder, Germany, 1973. 116mins)
Peeping Tom (M) (Dir. Michael Powell, UK, 1960. 101mins)
Pink Narcissus (R) (Dir. James Bidgood, USA, 1971, 71mins)
Postcards from America (R) (Dir. Steve McLean, UK/USA, 1994. 87mins)
Post Coitum, Animal Triste (M) (Dir. Brigitte Rouan, France, 1997. 97 mins)
Rififi (PG) (Dir. Jules Dassin, 1955, France. 119mins)
Totally F***ed Up (R) (Dir. Gregg Araki, USA, 1993, 78mins) 16mm
Touch of Evil (M) (Dir. Orson Welles, USA, 1958, 111mins)
The Conversation (M) (Dir. Francis Ford Coppola, USA, 1974. 113 mins)
The Garden of the Finzi-Continis (M) (Dir. Vittorio De Sica, Italy, 1971. 95 mins)
The Wages of Fear (PG) (Dir. H.G. Clouzot, France/Italy, 1952. 141mins)
Under the Sand (Sous le Sable) (M) (Dir. Francois Ozon, France 2000. 95mins)
Walkabout (PG) (Dir. Nicholas Roeg, Australia, 1971, 100 mins)
What Have I Done to Deserve This? (M) (Dir. Pedro Almodovar, Spain, 1984, 101mins)
Wintersleepers (Winterschläfer) (M) (Dir. Tom Tykwer, Germany, 1997. 118mins)
Zero Patience (MA) (Dir. John Greyson, Canada, 1993. 95mins)
