Biography C.e.b. Reas/' Ongoing Process Series Explores The ...
b. 1972
Lives and works in Los Angeles, California
BIOGRAPHY
C.E.B. Reas' ongoing Process series explores the dialectical relationship between naturally
evolved systems and those that are engineered and synthetic. The imagery evokes
transformation, and visualizes systems in motion and at rest. Equally embracing the qualitative
nature of human perception and the quantitative rules that define digital culture, organic form
emerges from precise mechanical structures.
Reas derives his software from short text instructions explaining processes that define networks.
The instructions are expressed in different media including natural language, machine code,
computer simulations, and static images. Each translation of these instructions reveals a different
perspective, and may combine with the other forms of visualization to express a more complete
representation of the constructed network of form.
C.E.B. Reas is the recipient of a 2008 Tribeca Film Institute Media Arts Fellowship, supported by
the Rockefeller Foundation. In Korea this September, Reas will be featured in the 5th Seoul
International Media Art Biennale. New installations based on Process 14 and Process 18 debuted
at bitforms gallery nyc in March 2008.
Based in Los Angeles, C.E.B. Reas has exhibited and screened his work internationally in
galleries and museums including Institute for Contemporary Art, London; New Museum for
Contemporary Art, New York; P.S.1 Contemporary Art Center, New York; Museum of
Contemporary Art, North Miami; Museum of Modern Art, Shanghai; Institute for Contemporary
Art, Boston; Laboral, Gijon, Spain; Cooper-Hewitt National Design Museum, New York; The
Dallas Contemporary; Fabric Workshop and Museum, Philadelphia; National Museum for Art,
Architecture and Design, Oslo; Contemporary Arts Museum, Houston; Mary and Leigh Block
Museum of Art at Northwestern University; Eyebeam, New York; CCCB, Barcelona; STUK,
Leuven; iMAL Center, Brussels; Daelim Museum, Seoul; NTT ICC, Tokyo; ZKM, Karlsruhe;
bitforms gallery, New York and Seoul; Telic, Los Angeles; <>TAG, The Hague; BANK, Los
Angeles; the Danish Film Institute, Copenhagen; and Künstlerhaus, Vienna; among other venues.
Commissioned to create work for the Whitney Museum's ArtPort collection online in 2004, Reas
is also the recipient of a Golden Nica from Ars Electronica.
Reas is an Associate Professor at UCLA, and holds a masters degree from the Massachusetts
Institute of Technology in Media Arts and Sciences, where he studied in John Maeda’s Aesthetics
and Computation group. With Ben Fry, Reas initiated Processing.org in 2001. Processing is an
open source programming language and environment for creating images, animation, and
interaction. In September 2007, they published Processing: A Programming Handbook for Visual
Designers and Artists, a 736 page comprehensive introduction to programming within the context
of visual media (MIT Press).
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
b. 1972
Lives and works in Los Angeles, California
EDUCATION
2001
Master of Science in Media Arts and Sciences. Massachusetts Institute of Technology (MIT),
Media Laboratory, Aesthetics & Computation Group
1996
Bachelor of Science in Design, University of Cincinnati, College of Design, Architecture, Art, and
Planning (DAAP)
AWARDS
2008 Tribeca Film Institute Media Arts Fellowship, supported by the Rockefeller Foundation
2005 Prix Ars Electronica, Golden Nica for Processing.org
SOLO AND TWO-PERSON EXHIBITIONS
2009 Code and Form: C.E.B. Reas and Marius Watz, Pittsburgh Center for the Arts
Transfers and Actions, Mejan Labs, Royal Academy of Fine Arts, Stockholm
2008 Process / Form, bitforms gallery, New York
2007 The Protean Image. <>TAG, The Hague
Austin Heitzman and Casey Reas: Microstates. James Edward Carlos Gallery, University of The
South, Sewanee
Tissue Collection, collaboration with 1 of 1 Studio, Concrete Image, Amsterdam
2006 C.E.B. Reas & Suzung Kim, bitforms gallery, Seoul
2005 Natural. Bank, Los Angeles
Process / Drawing 2, DAM, Berlin
Process/Drawing, bitforms gallery, New York
2004 TI. Telic Arts Exchange, Los Angeles
2002 Casey Reas/Golan Levin. bitforms gallery, New York
GROUP EXHIBITIONS
2009 Decode: Digital Design Sensations, Victoria and Albert Museum, Porter Gallery, London
OPEN, Grey Area Gallery, San Francisco
Abstract Cinema, Museum of Contemporary Art, North Miami
Art and Electronic Media, bitforms gallery, New York
Scalable Relations, BEALL Center for Art + Technology at UC Irvine
Collider: Interactivity and New Media, Emily Davis Gallery, Myers School of Art, Akron
Incognito, Santa Monica Museum of Art
HelloWorld.show, CreateHere, Chattanooga
2008 Matters of Sensation, Artists Space, New York
5th Seoul International Media Art Biennale, Seoul
eLandscapes, Zendai Museum of Modern Art, Shanghai
Space, Color, Motion, Block Museum, Northwestern University, Evanston
Imaging by Numbers, Block Museum, Northwestern University, Evanston
Design Life Now: National Design Triennial, Contemporary Arts Museum, Houston
Holy Fire, iMAL Center, Brussels
Impermanent Markings, Pratt Manhattan Gallery, New York
Live Arts Fringe festival, Philadelphia
2007 Scriptedbypurpose, FUEL Collection, Philadelphia
Design Life Now: National Design Triennial, Institute of Contemporary Art, Boston
Ephemeral: Explorations in Light, Claremont Museum of Art, Claremont
bitforms gallery, New York
2006 Design Life Now: National Design Triennial, Cooper-Hewitt National Design Museum, New York
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
Cybernetic Sensibility, Daelim Museum, Seoul
Further Processing, Kunstverein MEDIENTURM, Graz, Austria
Interferenze, New Arts Festival, San Martino Valle Caudina, Italy
Drawing / Painting / Sketching, CCCB. Barcelona
Drawing Conclusions on the Wall, Chapman University, Orange
ARTEFACT, STUK, Leuven, Belgium
Software Art Space, Decordova Museum, Lincoln
Faculty Exhibition, UCLA, Los Angeles
2005 Bioart. Gallery António Prates, Lisbon
SWARM, Fabric Workshop and Museum, Philadelphia
Generator.x. National Museum for Art, Architecture and Design, Oslo
Thick Works. Betty Rymer Gallery, School of the Art Institute of Chicago, Chicago
Abstraction Now in White Noise, Australian Centre for the Moving Image, Melbourne
Moving Pictures, Dallas Center for Contemporary Art, Dallas
Inaugural Exhibition, bitforms gallery, Seoul
SónarClub. Sónar, Barcelona
8 Abstractions, Now, À La Carte Digital Art, Sónar, Barcelona
Lines and Curves, LIMN Gallery, San Francisco
Generative X @ onedotzero, Institute of Contemporary Arts, London
Visions for Education, Benesse Square, Okayama
Rhizome ArtBase 101, New Museum of Contemporary Art, New York
Beecher Center, Youngstown
05 TDC Exhibition, Ginza Graphics Gallery, Tokyo
Exit Festival, Créteil, France
Exposition Inventeurs! Via Festival International, Maubeuge, France
Artware3, Instituto Cultural Peruano Norteamericano, Lima, Peru
2004 Art Life, Seeing Gallery, San Francisco Exploratorium, San Francisco
Touch and Temperature, Deborah Colton Gallery, Houston
Sonic Acts X, Paradiso, Amsterdam
L´Espace temporal, Ars Electronica Festival 2005, Linz, Austria
Digital Selections, Kendall College of Art and Design Gallery, Grand Rapids
Interact1, London College of Communication, London
NewSchool 9 Reactive/Creative, NTT ICC, Tokyo
Algorithmic Revolution, ZKM, Karlsruhe, Germany
Microwave International Media Art Festival, Hong Kong
Siggraph 2004 Art Gallery, Los Angeles
Runtime Art, Multimedia Institute, Zagreb, Croatia
Touch and Temperature, bitforms gallery, New York
Artport, Whitney Museum of American Art, New York
À La Carte Digital Art, Sónar, Barcelona
This is Today, Triennale, Palazzo dell’Arte. Milan
Softwarekunst, DAM & Transmediale’04, Berlin
2003 Seven Wonders, Chromosome Gallery, Berlin
Uijeongbu International Digital Art Festival, Seoul
Cluster, Mole Antonelliana, Turin
CODE, Ars Electronica, Linz, Austria
Abstraction Now, Kunstlerhaus Wien, Vienna
l’esperienza del domain, Interaction Design Institute Ivrea, Ivrea, Italy
Danish Film Institute, Copenhagen
X/AniMate at REMOTE, New York
Private Tundra, Los Angeles
2002 Amoda, Austin
Doublecell, http://www.singlecell.org
Translations/Transgressions, University of Rhode Island, Kingston
BIN, http://www.shift.jp.org
Remapping/Neural Networks, http://www.artbrain.org
Work in Progress, Interaction Design Institute Ivrea, Ivrea, Italy
Collision, MIT, Cambridge
2001 Inaugural Exhibition, bitforms gallery, New York
Singlecell, http://www.singlecell.org
Interaction ’01, IAMAS, Ogaki, Japan
Animations. P.S.1, Queens
Workspheres, Museum of Modern Art, New York
2000 New York Digital Salon, New York
Projects from the AC, Cooper Union, New York
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
Print on Screen, Ars Electronica Center, Linz, Austria
Expanded Entertainment, American Museum of the Moving Image, New York
Siggraph 2000 Art Gallery, New Orleans
FuturExpress, Sega Joypolis, Tokyo
PUBLICATIONS
2007 Reas, C.E.B, and Fry, Ben, Processing: A Programming Handbook for Visual Designers and
Artists, MIT Press, Boston
Reas, C.E.B, “Beyond Code,” in Burke, Anthony and Tierney, Therese (ed.), Network Practices:
New Strategies in Architecture and Design, Princeton Architectural Press, New York
2006 Bloemink, Barbara, Hodge, Brooke, Lupton, Ellen and McQuaid, Matilda, Design Life Now:
National Design Triennial 2006, Cooper-Hewitt
Reas, C.E.B, “Process/Drawing,” in Silver, Mike (ed.), Programming Cultures: Architecture, Art
and Science in the Age of Software Development Architectural Design, Wiley-VCH
Altena, Arie (ed.), Unsorted: Thoughts on the Information Arts, Sonic Acts Press, Amsterdam
2005
Reas, C.E.B, “Processing: Programming for the Media Arts,” AI & Society Journal, Springer,
London
Reas, C.E.B, “Processing Code,” in Fishwick, Paul (ed.), Aesthetic Computing, MIT Press,
Boston
Reas, C.E.B, “MicroImage,“ A Minima 9, Espacio Publicaciones, Spain
2004 Reas, C.E.B, “The Language of Computers,” in Maeda, John (ed.), Creative Code, Thames &
Hudson, London
Reas, C.E.B, “{Software} Structures,” in Goriunova, Olga and Shulgin, Alexei (eds.), Read_Me,
Software Art & Cultures, University of Aarhus Press, Aarhus, Denmark
Reas, C.E.B, “Programming Media,” InterCommunication, no. 47, Winter, ICC
Pfaffenbichler, Norbert and Droschl Sandro (eds.), Abstraction Now, Kümstlerhaus Wein, Vienna
2003 Reas, C.E.B, “Programming Media,” in Ars Electronica 2003: CODE: The Language of Our
Time, Hatje Cantz Verlag
Beeke, Anthon et al., AREA, Phaidon
Klanten, R., et al Übersee 2: From Surface Into Space, Die Gestalten Verlag
2002 Reas, C.E.B, “Behavioral Kinetic Sculpture” in The Art of Programming, Sonic Acts Press,
Amsterdam
BIBLIOGRAPHY
2009 Mary and Leigh Block Museum of Art, Annual Report 2007-08
Levy, Steven, “Steven Levy on the Answer Engine, a Radical New Formula for Web Search,”
Wired, May
Thomas, Mary, “Retrospective focuses on complex, emotional videos by Tapia-Urzua,”
Pittsburgh Post-Gazette, Apr 9
Shaw, Kurt, “Animal Imagery Speaks Out,” Pittsburgh Tribune-Review, Feb 18
Jablonka, Eva, “Extending Darwinism,” SEED, Jan
2008 Mark, Roseann (ed.), Around the Block: Activities of the Mary and Leigh Block Museum of Art,
Northwestern University, Winter
Goodall, Hurley, “The Computerized Artist,” Chronicle of Higher Education, Feb
Artner, Alan G., “Feast for the eyes and mind,” Chicago Tribune, Jan 31
Weinberg, Lauren, “Bit by bit, putting it together,” Time Out Chicago, Jan 24
2007 “Casey Reas,” Neural, pp. 40-43, Winter
Binshtock, Avital, “Inland Art Empire,” art ltd., p. 66, Nov
Friedman, Thomas L., “The Power of Green,” The New York Times Magazine, p. 49, Apr 15
Esquire North: A New View, pp. 32, 55
2006 Hwang, You-mee, "Cutting-edge Art Experiments with New Media," The Korea Herald, Oct 17
Jana, Reena. “Getting Connected,” Art + Auction, pp. 138-143, Jun
Morgan, Robert, bitforms gallery catalog
Second Natures, ed. Christiane Paul et al., The Regents of the University of California, Los
Angeles, 2006. essay excerpt, pp. 9-10
2005 Quaranta, Domenico, “LeWitt’s Ideal Children,” Arte e Critica, Issue 44, Dec
“Design Talk: Casey Reas. Processing,” Computer Arts, May
Baker, R. C., “Show World,” Village Voice, Mar 22
Petersen, Andrea, “Art for When There’s Nothing on TV,” The Wall Street Journal, Feb 16
Franzreb, Danny, “Programming for Designers Who Think They Can't Do It,” IdN, vol. 12, no. 2
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
Kerlow, Isaac, Foundation Art, John Wiley & Sons
Rucker, Rudy, Lifebox, the Seashell, and the Soul, Thunder’s Mouth Press
Schmidt, Petra and Driller, Mirko, Patterns in Design, Art and Architecture, Birkhäuser Verlag
2004 Tan, Tori, “Casey Reas,” XFuns Magazine, no. 13, Aug
Birch, Thomas and Makussen, Thomas, “Read_Me 2,” Harddisken, Jun
Tan, Tori, “Processing: Interview with Casey Reas,” XFuns Magazine, no. 11, May
“Exploring Digital Possibilities,” Sheffield Telegraph, Apr 2
Altena, Arie, Unsorted, Thoughts on the Information Arts, Sonic Acts / De Balie
eproject vol. 2, Pao&Paws, Taipei
Cameron, Andy (ed.), IdN Special 04: The Art of Experimental Interaction Design, IdN, Hong
Kong
Tissage, Association Metis, Paris
Pfaffenbichler, Norbert and Sandro Droschl, Abstraction Now, Edition Camera Austria
2003 Campion, Sebastian, “Code. In Conversation with Casey Reas,” kopenhagen.dk. Oct
Hoxley, Rich, “Code Dependency,” Print Magazine, Sep/Oct
Broegger, Andreas, “Software Art, An Introduction,” kopenhagen.dk. Sep
Sparks, Heather, “Web Design for Dummies,” Wired Magazine, Sep
Vanderbeeken, Mark, “Processing: Programming as Art,” Cluster Magazine, Fall
Ha, Young-June, “Interview with Casey Reas,” Korea Tatler, vol. 3, no. 22, Aug
Brown, Liz, “Eye Candy,” Grafik, Jul
Osterfildern-Ruit, Hatje Cantz Verlag
Christov-Bagarkiev, Carolyn, Animations, Kunst-Werke, Berlin
Paul, Christiane, “Public Cultural Production Art (Software) },” in Ars Elctronica 2003: In CODE :
The Language of Our Time, Hatje Cantz Publishers
Vago-Laurer, Valerie (ed.), AREA, Phaidon Press Limited, London
Interaction Design Almanacco 2003, Interaction Design Institute Ivrea, Italy
Bang! Bande Dessinée, Images, Actualité. no. 3. Casterman & Beaux Arts, Paris
ROJO.nu, Sintonison S.L., Barcelona
Salon version 3.0 DVD, Furukawa, Tokyo
Imbecil CD-ROM, Alku, Barcelona
Ubersee #2, Die Gestaltung Verlag, Berlin
2002 “Interview: Casey Reas,” Design Net, vol. 61, Seoul, Oct
Melcer, Anne, “Numer, Design Interactif et Humaines Conditions,” Etapes: 85, Jun
New York Reviews: “Bitforms Inaugural Show,” ArtNews. Apr
Lehrer, Jeremy, “New Visual Artists Review: 20 Under 30,” Print, Mar/Apr
ROJO.cold, Sintonison S.L., Barcelona
“Casey Reas,” The Graphics Book, D&AD, London
2001 Jesdanun, Anick, “Digital Art Gaining Acceptance,” Associated Press, Dec 10
Martini, Federica, “Sculpture Immateriali, Intervista a Casey Reas,” Exibart, Dec
Processing, Mein elekronisches Sketchbook,” DE:BUG 64, Oct
Sakane, Itsuo, The Interaction ‘01, Dialogue with Expanded Images, IAMAS, Ogaki
Wolff, Laetitia and Xu, Wang (ed.), Design Focus Media: ACG, China Youth Press, Hong Kong
2000 Coleman, B. “Aesthetics + Computation Group.” ArtByte. Summer
“Eighth Annual New York Digital Salon,” Leonardo, vol. 33, no. 5
Stocker, Gerfried and Christine Schopf (ed.), Ars Electronica 2000 – Next Sex, Springer, Vienna
IBM Systems Journal, vol. 39, nos. 3 & 4
PEDAGOGY
2003-
UCLA Design | Media Arts, Associate Professor
present
2001-
Interaction Design Institute Ivrea, Associate Professor
2003
JURIES
2004 Prix Ars Electronica, Net Vision Category
2003 Berlin Transmediale, Software Category
Philippine Web Awards
VIPER Basel, Transposition Category
Prix Ars Electronica, Net Vision / Net Excellence Category
2002 Nordic Institute for Contemporary Arts, New Media Artist in Residence
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
LECTURES AND PRESENTATIONS
2009 MOCA North Miami, Florida
Carnegie Mellon University, Pittsburgh
2008 Artist Talk, Pratt Manhattan Gallery, New York
Patterns, Pixel and Process: Discussing the History of the Computer Print, Artist Talk, Block
Museum of Art, Northwestern University, Chicago
2007 Artist Talk, Integrated Media Program, Cal Arts
Artist Talk, Claremont Museum of Art
Information Aesthetics, Today’s Art, Symposium, The Hague
Artist Talk, Mediamatic, Amsterdam
Artist Talk, Louisiana State University, College of Art and Design
“Form + Code,” workshop with Chandler McWilliams, Telic Arts Exchange, Los Angeles
Persee: Orchestrated Perception, Live visual performance, Regent Theater, Los Angeles
The Future of Media Art, Symposium, NTT ICC, Tokyo
Artist Talk, Sci-Arc, Los Angeles
2006 TexElectronica, Symposium, Fort Worth Museum of Art
2005 3rd Iteration, Generative Systems in the Electronic Arts, Keynote Presentation, Melbourne
Artmedia IX, Artist’s Talk, Salerno University, Salerno, Italy
Generator.x, Artist Talk, Atelier Nord, Oslo
Siggraph 2005, Processing.org: A Networked Context for Learning Computer Programming, Los
Angeles
Processing, Sonarama, Sónar. Barcelona
Real Time Workshop, Programming Media, Centre d'Art Santa Monica, Barcelona
Visiting artist, School of the Art Institute of Chicago
Visiting artist, Maryland Institute College of Art
Current Issues in Digital Art, Artist Talk, UC San Diego, San Diego
Artist’s Talk, Rochester Institute of Technology, Rochester
Processing.org, Tokyo TDC Day ’05, Tokyo
Computational Information Design, Flash In The Can, Toronto
An Introduction to Processing, Machine Project, Los Angeles
Programming Media, 049 Maryland Institute Col ege of Art, Baltimore
Programming Media, THICK Design Series, School of the Art Institute Chicago, Chicago
2004 Artist Talk, Minneapolis College of Art & Design, Minneapolis
Programming Media / MicroImage, USC School of Cinema-Television, Los Angeles
Sonic Acts X, Paradiso. Programming Media. Amsterdam
Artist Talk, 044 Microwave International Media Art Festival, Hong Kong
Program/Process, Distributed Form: Network Practice, UC Berkeley, Berkeley
{Software} Structures, Read_Me, Aahus University Aarhus, Denmark
Processing, Dorkbot City Camp, Aarhus, Denmark
Web Graphics: International Processing, Siggraph 2004, Los Angeles
Self-Organizing Systems: rEvolutionary Art, Science, and Literature, UCLA, Los Angeles
Artist Talk, Media Art and Technology Program, UC Santa Barbara, Santa Barbara
Artist Talk, Design Dialogues, Art Center College of Design, Pasedena
Programming Media, San Francisco Art Institute, San Francisco
Craft & Code, Pixel Raiders 2, Sheffield Hallam University, Sheffield
2003 Processing, Bootlab, Berlin
Artist Talk, ART+COM, Berlin
Programming Media, Processing, University of Southern California, Los Angeles
Artist Talk, DAMPF Research Labs, Linz, Austria
Sketches and Applications: Processing, Siggraph 2003, San Diego
Web Graphics: Processing, Siggraph 2003, San Diego
Artist Talk, Seoul National University, Seoul
Programming Media, Art Center Nabi, Seoul
Processing, Interaction Design, Royal College of Art, London
Programming Media, Processing, Architectural Association Design Research Lab, London
Emergent Form, Interactive Media Art Laboratory, Brussels
Artist Talk, Oslo School of Architecture, Oslo
Programming Media, Processing, UCLA, Los Angeles
On Software, AIGA Experience Design, London
Processing, IDEO London, London
Artist Talk, Central Saint Martins, London
On Software, Goldsmiths College, London
On Software, Automaten, Berlin
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
Artist Talk, University of the Arts, Berlin
Artist Talk, HGKK, Bern, Switzerland
2002 Processing– Electronic Sketchbook, Bartlett School of Architecture, London
Artist Talk, Amfibio, Helsinki
Living Surfaces, Open Doors, Doors of Perception 7, Amsterdam
Artist Talk, University of Leiden, Leiden
Artist Talk, Parsons School of Design, New York
Formalism and Creativity session, Numer02, Paris
Basel HGK. Reactive Image. Basel
2001 Artist Talk, Sonic Acts, Paradiso, Amsterdam
Interazione – Alcune Nozioni, Scienze della Comunicazione, Ivrea, Italy
Artist Talk, IAMAS, Interaction’01, Ogaki, Japan
Concepts in Interaction, Experimentadesign 2001, Lisbon
Dynamic Systems, Baton Rouge Video Project, Louisiana State University, Baton Rouge
2000 Dynamics and Metadesign sessions, Numer00, Paris
The Aesthetics & Computation Group, International Media Research Foundation, Tokyo
SYMPOSIA
2005 The Social Web: Platforms, Communities, and Creativity, Siggraph 2005, Los Angeles
Digital Creatures Panel, Flash In The Can, Toronto
2004 Who Owns Our (Software) Culture, ISEA 2004, Helsink
2003 Programming Media, Chair, Ars Electronica Symposium, Linz, Austria
Interdiscipline Media Arts, Transmediale ’03, Berlin
2000 The State of Interactive Design, ISEA 2000, Paris
WORKSHOPS
2006 Processing Workshop, Shakerag Workshops 2006, Sewanee
2005 Screen Paper Pattern, Fabrica, Treviso, Italy
Processing Workshop, Flash In The Can, Toronto
2004 Processing Workshop, City University of Hong Kong, Hong Kong
Processing Workshop, Minneapolis College of Art and Design, Minneapolis
Processing Workshop, University of Huddersfield, Huddersfield
Processing Workshop, Sheffield Hallam University, Sheffield
Advanced Processing Workshop, University of Southern California, Los Angeles
2003 Programming Mobile Media, Interaction Ivrea, Ivrea, Italy
Processing Workshop, University of Southern California, Los Angeles
Processing Workshop, Hongik University. xD_5. Seoul
Processing Workshop, Interactive Media Art Laboratory, Brussels
Visual Concepts for Responsive Media, Oslo School of Architecture, Oslo
Processing, Transmediale ’03, Berlin
Piemonte Programming Workshop Interaction Ivrea, Ivrea, Italy
Living Surfaces, Hyperwerk, Basel, Switzerland
2002 Processing Workshop, Image & Sound Program, Royal Conservatory, The Hague
Workshop Algorithmique, Les Ateliers/ENSCI, Paris
Interactive Image Workshop, Hyperwerk, Basel
2001 Masters Class in Interaction Design, University of Art and Design Helsinski (UIAH), Helsinki
Computational Design Workshop, University of Cincinnati, DAAP, Cincinnati
2000 Computational Design Workshop, Rhode Island School of Design), Providence
RESEARCH
2001-
http://wwwprocessing.org - Co-Founder & Developer. Software development creating an
Present
environment for learning the fundamentals of computer programming within the context of
the electronic arts. Leading an international community toward developing a foundation
curriculum for computational art and design.
2001-03 Interaction Design Institute Ivrea, Associate Professor. Founding faculty and researcher.
Coordinated Personal Technologies research unit, a group focused on exploring the
senses and perception as the origin for designing technology. Advisor for Institute.
Research projects.
1999-01 MIT Media Laboratory, Cambridge, MA. Research Assistant. Member of the Aesthetics &
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
Computation Group, led by John Maeda. Focused research on the concept and execution
of behavioral kinetic sculpture. Built custom software and electronics for realizing
software, installations, and sculpture. Built custom educational software for DBN
programming environment.
529 west 20th street bitforms.com 212 366 6939 info@bitforms.com
